Shake the rattles of our jazz. / There’s lies in the kitchen too, and they / are how bright. // Twittering, we run run each other, / try on expensive cabinets and hats. // Rough light is in this time. / Withered is the trencher, / so we make a place for mothers / in the house. Twinkle at the time / a clock strikes, a certain time of day, // and I see the chime of the bells, / listen to their whiteblue sound.
The books feel farther apart on my nightstand; the tub has shouldered open, wide enough now for two; space seems to have grown between the sugar and creamer on the breakfast table, and despite the silent chess game Renée and I play with them as she reads the paper and drinks cup after cup of coffee—the cream now advancing, now slinking back in retreat—I somehow can’t bring them together.
The first skin I tattooed was orange peel. Supposedly the texture is similar to humans. I bought a kilo of oranges to practice on before you agreed. You came down for the weekend, watched as I tested the weight of the needle in the nook of my hand. When I cut into the first orange, there was no thread of blood – just juice.